

Christina
was seven years old when her mom first signed her up for
ballet classes. Although she did not stay with formal
dance training, she has been in motion ever since, picking
up informal training in many different forms of dance
throughout her life.
During college Christina and housemate
Seana discovered Middle-Eastern folkloric dance though
a demonstration by Madison Wisconsin's Tahjah and were
instantly fascinated. After graduation in 1992, they began
studying folkloric style under Tahjah and within a year
were performing with the Jaravellir Middle-Eastern Dancers,
a troupe in the Society for Creative Anachronism (SCA).
Eventually, Christina became a teacher, and choreographer
for the troupe. Shortly thereafter, she began to travel
all over the midwest to teach and perform, earning recognition
from both her students and her fellow dancers.
In
1994, Christina became a member of the Tribe Theatre Company
in Milwaukee, Wisconsin (currently the Midwest Rock Opera
Company). She began as a dancer and chorus member for
the company, but was soon a principal actress, and, bringing
her Middle-Eastern dance influence along, an assistant
choreographer. After moving to Chicago, Christina began
teaching a small folkloric troupe of her own within the
SCA and studying Egyptian style bellydance under Jasmin
Jahal in 1996. In Jasmin she found inspiration and a renewed
love of the dance. She continued to study with Jasmin
in the years ahead.
In 1999, Christina and her friend Wendy
became curious about Tribal bellydance style and began
to study with Stephanie Barto to learn more. She loved
the energy and community of tribal dance and the improvisational,
natural style suited her taste. Within a few months, she
was performing with Stephanie's student troupe The Fringe
Connection and was an occasional guest with Read My Hips
at numerous venues across the Chicagoland area.
On
a summer night in 2001, Christina became one of the founding
members of the Blue Lotus Tribe, a troupe dedicated to
the evolution of the tribal style. Her energetic, inviting
dance style comes from her love of performing and connecting
with an audience. "I feel that dancing is the purest
celebration of the woman as an extension of the earth
and its creative capacity. I am never more free or more
joyful than when I am dancing." Within the tribe,
Christina welcomes the challenge of developing tribal
dance and expanding the troupe's repertoire.
Outside of the tribe, Christina continues
to study with Jasmin Jahal and was invited to perform
in her August 2002 production of "Kismet, One Man's
Destiny." She currently teaches both Egyptian and
tribal style dance and performs throughout Chicagoland
and the Midwest. For more information on classes, click
here.
You can visit Christina's website for
her solo Egyptian performances by clicking here.